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Jill Iliffe's Egg Tempera Tips

  • altonartsociety
  • Feb 24
  • 1 min read

Following up on her excellent demonstration of painting a clothed figure in egg tempera on Saturday 21st February, Jill has generously sent along some notes to help members who are keen to try out this medium for themselves.



Girl with Plaited Hair, Egg Tempera on board. Copyright Jill Iliffe
Girl with Plaited Hair, Egg Tempera on board. Copyright Jill Iliffe



Egg Tempera Painting Notes for Alton Art Society by Jill Iliffe


  • Use a surface which is rigid - wood or mdf (poplar wood is traditional)

  • The coating on the surface needs to be slightly porous, I used Casein Gesso on wood

  • You can use a coating made with rabbit skin glue and whitening

  • The surface needs several coats and to be sanded in-between as necessary 

  • Dry pigments

  • Egg yolk

  • Distilled water (I used boiled)

  • Vinegar (optional)

  • Mix a pigment and yolk mixture to a cream consistency 

  • Keep the yolk/water in a jar in the fridge, can be used up to 24 hours although I have found it ok after 48

  • Work in layers, start with large translucent strokes and then use small marks to build up the paint and achieve your effect

  • The paint dries quickly

  • Do not overpaint until it is dry

  • Use watercolour brushes and clean them with water

  • After some months you can polish the surface with a soft cloth, I use a spectacles cleaning cloth.  This gives a subtle sheen.

 

Suppliers 

Kremer pigments from A P Fitzpatrick https://shop.apfitzpatrick.co.uk/index.asp

Gerstaecker Extra Fine Artist Pigment/rabbit skin glue from https://www.greatart.co.uk/

Pigments and rabbit skin glue from https://atlantisart.co.uk/pigments/

 

Artists

Sandro Botticelli

Andrew Wyeth

Antony Williams

Lucien Freud

 

 

Jill Iliffe



 

 
 
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